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Fritz Zuber-Buhler
was a Swiss painter integrant of the style Academic Classicism, born in 1822 at Le Locle in Switzerland and died November 23, 1896.
At sixteen years old he moved to Paris, France where found his first teacher Louis Grosclaude. Later he studied at the École des Beaux-Arts and then refined his technical skills with François-Édouard Picot, who followed the same lineage of contemporaneous artists such as Leon Perrault, Bouguereau, Alexandre Cabanel and many others. Afterwards he spent some time in Italy searching for inspiration and raise the quality of his art. Then, returning to Paris, he made his debut at the Salon in 1850 exhibiting alongside oil paintings, drawings, pastels and watercolors.
His painting Innocence shows his romantic view of the peasant childhood and their environments, expressing nature, softness and intense details. Also his works were drawn by popular themes at that period like mythology, religion and requested portraits. Zuber-Buhler produced exhibitions in the United States, comprising at the Pennsylvania Academy of the Fine Arts and achieved great admiration as a classic academic painter. Related Paintings of Fritz Zuber-Buhler :. | The Lesson | The Cherry Thieves | Girl with wreath | Maternity | The Spirit of the Morning | Related Artists: Albertinelli, Mariotto Italian Early Renaissance Painter, 1474-1515] Studied under Cosimo Rosselli. Albertinelli's students included Pontormo . Italian painter. Albertinelli's contribution to the Florentine High Renaissance was inspired by the work of FRA BARTOLOMMEO, and the two artists worked together in a partnership, their paintings appearing to be the product of a single hand. Albertinelli, however, always retained artistic independence, as is revealed in certain paintings that are eccentrically archaic and in others that show a preference for conventions more typical of the early Renaissance. Samuel van hoogstratenDutch Baroque Era Painter, 1627-1678
Dutch portrait painter and etcher, studied with his father, Dirk van Hoogstraten (1596?C1640), and with Rembrandt. His best works, such as The Old Jew (Vienna), reflect the influence of Rembrandt. He was director of the Academy in Dordrecht and author of a treatise (1678) in which he analyzed the theory and practice of the art of Rembrandt and other artists of the period. Philip Alexius de LaszloPhilip Alexius de Laszlo, MVO (30 April 1869 Budapest - 22 November 1937 London) was a Hungarian painter known particularly for his portraits of royal and aristocratic personages.
Laszlo was born in Budapest as Laub Fulop Elek (Hungarian style with the surname first), the eldest son of a Jewish tailor. The family changed its name to Laszlo in 1891.
As a young man, Laszlo apprenticed to a photographer while studying art, eventually earning a place at the National Academy of Art, where he studied under Bertalan Szekely and Karoly Lotz. He followed this with studies in Munich and Paris. Laszlo's portrait of Pope Leo XIII earned him a Grand Gold Medal at the Paris International Exhibition in 1900.
In 1903 Laszlo moved from Budapest to Vienna. In 1907 he moved to England. He remained based in London for the rest of his life while traveling the world to fulfill commissions.
Laszlo's patrons awarded him numerous honors and medals. In 1909 he was named an honorary Member of the Royal Victorian Order by King Edward VII of the United Kingdom. In 1912 he was ennobled by King Franz Joseph of Hungary; his surname became "Laszlo de Lombos". The family later shortened the name to "de Laszlo".
Laszlo became a British citizen in 1914 but was interned for over twelve months in 1917 and 1918 during the First World War.
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